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ABOUT ME

Reshmi Pillay is currently dedicated to pursuing her Postgraduate degree in

painting at Manchester Metropolitan University.

When experimenting with watercolors, she often begins by sketching a couple

of objects on watercolor paper or alternative surfaces to observe how the paint

interacts. Captivated by intriguing subjects like abandoned items, she

frequently snaps outdoor photos to serve as inspiration for her art. Achieving a

harmonious blend between the subject and its surroundings is paramount to

her, ensuring a balanced composition. Typically opting for dark or somber

backgrounds, she aims to create a sense of mystery and intrigue in her

artworks. While her depictions may lean towards ambiguity, with viewers

sometimes struggling to discern the object portrayed, she finds beauty in the

different perspectives that emerge. Each observer brings a unique

interpretation to the piece, offering varied insights while the essence of the

object remains consistent across diverse viewpoints, thus fostering a deeper

connection between the artwork and its audience.

The various surfaces upon which watercolour is applied exhibit unique

characteristics and influences on the medium. In her typical watercolour

practice, she tends to forego leaving blank spaces on the paper. However, her

recent venture into exploring the use of fabric as a canvas for watercolour

painting led to intriguing discoveries. When watercolour pigments met the

fabric's surface, a fascinating dispersion effect took place, altering the colour’s

integrity. This phenomenon unveiled a new dimension to her artistic

endeavour, highlighting how the choice of fabric can significantly impact the

texture and overall outcome of watercolour artworks. She found that various

fabrics, such as silk or cotton, offer distinct textures that influence the outcome

of the painting. Moreover, her curiosity extends to experimenting with how light

filters through the fabric, revealing an array of mesmerizing effects and

interpretations that imbue the artwork with multiple layers of meaning and

depth. Intriguingly, her curiosity now extends to exploring the interplay of light

passing through these fabric-based watercolor creations, as she anticipates

discovering the diverse effects and nuanced meanings that such manipulation

of light can bring to her art.